TELECOMMUNICATIONS IN GHANA |
Information gathered
by 18newspaper.com discloses that telecommunications in the country are ripping
off huge income from musicians indirectly from their CRBTs.
CRBTs as explained by
an expert in the field is the color ring tones people get to hear when they are
waiting for a call to be answered by the other person.
In a chat with some
managers of some musicians in the country about their opinion on this CRBT from
the telcos, they angry revealed that their artistes are not making anything
from these color rings or CRBTs.
Manager of Konfi, a
hip life group in Ghana said that, he had to cancel his artiste’s CRBTs with
all the telecommunications because it is a big cheat.
‘Every time we hear
these telecommunications sponsoring entertainment events and they portray that
they are trying to help these artistes but trust me, from experience they are
rather making money off the artistes and the artiste are not making junk’,
Konfi’s manager agitated.
He maintained: ‘if an
artiste gets a 20, 000 downloads from color rings, you will be shocked to know
that, that particular artiste will only receive less than a GHC 1000, why?’
The answer is simple,
a telecommunication network who does not pay for the artiste recording of his
songs, the telecommunications who does not promote that particular song for the
artiste is taking 65% of the downloads money and the rest of the percentage is
shared between the artiste and his content provider. Now tell me if that makes
a business sense, you can ask all the artistes who are using these CRBTs and
they will tell you their horrible experiences, they are losing big time but who
are you to complain.
He noted: ‘sometimes
the money given to the artiste per month is so small or shameful to the extent
that, you have no choice than to leave your money to grow for three months and
even that three months all you get is pee nuts, how can artiste survive in this
environment’.
To make the story
complete, 18newspaper.com spoke to a mobile content provider with one of the
companies and he explained: ‘we as
content providers only charge a certain percentage from what the artiste
is gaining after the telecommunication network has taken its 65%, hence what
the manager is saying in a way is very true.’
He also added: ‘the
painful part is, the artiste and us (content provider) only make money from all
first time downloads only, any other download after that goes directly to the
network, what can be more painful than this’.
Example is, if a song
from an artiste will be on CRBT for 20 years, the artiste only gets to make
money from the first downloads, after that, any other download within the 20 years goes to
the telecommunications hence they make
all the money.
Wow, what a sad
situation, so these telecommunications are eating off these same people they
claim to be helping in a very intelligent way. All effort to get a rep from any
telecommunication to comment did not materialize but we are still pushing to
get their part of the story, when we do, readers will hear.
Story: Nana yaw
Wiredu/www.18newspaper.com
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